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Judy Rifka is known for her "good hands." In painting parlance, the term connotes not just skill, but a quality of touch that eludes almost everyone, including artists. Rifka, adept at riveting movement on the canvas, is equally plastic with her use of materials; neon-intense colors suggest contemporary "internet safe" hues, and digital video; 360 stretchers defy method. With great admiration for the brazen new structures being built around the world today, Tere O'Connor looks to concepts of adaptability in contemporary architecture as source for Rammed Earth. The new evening-length work brings into evidence the shifting layers of architectural reference in dance. |
Join our mailing list.THROWTuesday 9/16 at 7PM1965UUSeptember 11 - October 4, 2008 |
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