wornpaper02
 

“It feels a little bit like the first New York I knew in the '70s and '80s,'" he said. "Not in a retro way at all, but art and residence and commerce were in a more balanced relationship than they are now. It's not a reference to that time, just a little place where that is occurring again." - Tere O'Connor, in a New York Times Profile of the Chocolate Factory, May 2010”

 

 

September 13 - October 20, 2007

Judy Rifka is known for her "good hands." In painting parlance, the term connotes not just skill, but a quality of touch that eludes almost everyone, including artists. Rifka, adept at riveting movement on the canvas, is equally plastic with her use of materials; neon-intense colors suggest contemporary "internet safe" hues, and digital video; 360 stretchers defy method.

September 26 - October 7, 2007

With great admiration for the brazen new structures being built around the world today, Tere O'Connor looks to concepts of adaptability in contemporary architecture as source for Rammed Earth. The new evening-length work brings into evidence the shifting layers of architectural reference in dance.

Welcome to Nowhere (bullet hole road) is a hybrid of stage and cinema. During the performance, a constant stream of video is projected above the cast. In scenes of prolonged silence, stillness and impassivity, doppelgangers of the characters we meet onstage navigate this hyper-real cinematic landscape as if lost in a dream.

October 25 - November 17, 2007

Genovina is a self-taught artist and 10-year Long Island City, Queens resident. Her recent work is characterized by a careful building process-slowly exposing the subjects in the paint that are often not quite human in form, but altogether human in sentiment.

 

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