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“It feels a little bit like the first New York I knew in the '70s and '80s,'" he said. "Not in a retro way at all, but art and residence and commerce were in a more balanced relationship than they are now. It's not a reference to that time, just a little place where that is occurring again." - Tere O'Connor, in a New York Times Profile of the Chocolate Factory, May 2010”

 

 

September 13 - October 20, 2007

Judy Rifka is known for her "good hands." In painting parlance, the term connotes not just skill, but a quality of touch that eludes almost everyone, including artists. Rifka, adept at riveting movement on the canvas, is equally plastic with her use of materials; neon-intense colors suggest contemporary "internet safe" hues, and digital video; 360 stretchers defy method.

September 26 - October 7, 2007

With great admiration for the brazen new structures being built around the world today, Tere O'Connor looks to concepts of adaptability in contemporary architecture as source for Rammed Earth. The new evening-length work brings into evidence the shifting layers of architectural reference in dance.

 

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