wornpaper02
 

Writing, Direction, Scenic & Lighting Design by

Kenneth Collins

Video by

William Cusick

Sound and Music by

John Sullivan

Costumes by

TaraFawn Marek

Performed by

Ben Beckley

Stacey Collins

Brian Greer

Lorraine Mattox

Jessica Pagan

Stephanie Silver

 
Temporary Distortion - Welcome to Nowhere (bullet hole road)

Friday, October 12 - Saturday, October 27, 2007 8PM

Photo | The Company

Read the preview in the Brooklyn Rail.

Welcome to Nowhere (bullet hole road) is a hybrid of stage and cinema. During the performance, a constant stream of video is projected above the cast. In scenes of prolonged silence, stillness and impassivity, doppelgangers of the characters we meet onstage navigate this hyper-real cinematic landscape as if lost in a dream.

While the stage characters' specters float silently above them, the text is spoken live by the actors onstage in a way that mimics accepted cinematic tendencies and references filmic styles of performance. Constantly in "close-up," the performer's softly spoken words are amplified by microphones that riddle the box-like set around them. Underplayed and restrained, these conversations and monologues act as voiceover for the accompanying images above them, while at other times complete scenes are played out solely in the world of the film leaving the live actors silent. This continual juxtaposition of stage and cinema becomes one of compliment, complication and contradiction, suggesting multiple ways of interpreting the dynamics between characters and the incessantly shifting narrative fragments.

Part road movie, part fractured memory, part love story...Welcome to Nowhere (bullet hole road) employs one of Temporary Distortion's claustrophobic boxlike installations to stage the story of a man who is haunted by his past and drifting across America. There is blood across the dashboard, headlights in the rearview mirror and the vague memory of a hitchhiker who may have been a dream.

Temporary Distortion pushes the boundaries of theater by reframing it as a plastic art. Their work is characterized by an explicit obsession with sculptural form, where all acts are enclosed in claustrophobic boxlike structures, lined with industrial lighting equipment and entangled by all manner of cables, video monitors, projectors, microphones and multiple speaker systems, to create hypermediated four-dimensional objects that tell a story. Temporary Distortion has been hosted numerous times as a resident company at Richard Foreman's Ontological-Hysteric Theater in the East Village and as guest artists at The Chocolate Factory.

This group could very well begin producing staggering original work...you are not likely to have seen anything quite like it.—nytheatre.com

Visit the artist's website here.

 

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THROW

Tuesday 11/18 at 7PM

redevelop (death valley)

February 2009